The R-E Like Looks have just been released! These are specially curated Creative Looks that were developed to resemble the desirable Arri “Look”, with muted contrast and softer highlights. The beauty of these looks is in their simplicity and flexibility – they can be used with footage across multiple Cameras and Color Profiles, whether with S-Log3, V-Log, Cineon Log and other Log profiles or even Rec.709 and Rec.2020!
Continue reading “Introducing the R-E Like Looks”Recording & Editing with Hybrid Log Gamma (HLG) – Part 1
[Updated] Whilst Hybrid Log Gamma (HLG) is continuing to gain popularity for recordings and broadcast, there is often a lot of confusion and misinformation out there regarding HLG as an acquisition and grading format, so I thought to write up a few points that will hopefully provide some clarity for those looking to produce content using it.
Continue reading “Recording & Editing with Hybrid Log Gamma (HLG) – Part 1”Exposure Correction OFX Plugin
[Updated] The Exposure Correction OpenFX plugin has just been released! Similar to the Exposure Correction DCTL released earlier, it allows adjustment of exposure in exposure value (EV) stops between -10 & +10 stops. This plugin is built on OpenFX and has been optimized for multi-threaded CPU and GPU acceleration using CUDA, OpenCL and Apple Metal across supported platforms – this make the performance blazingly fast! The Exposure Correction OFX can be used on a wide range of Applications including DaVinci Resolve (Free and Studio), Assimilate Scratch, DaVinci Fusion and Natron amongst others!
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The HLG Normalized Transform has just been updated! This update includes some new components such as the inclusion of the ACEScct Gamma and a new Color Science mode! The Color Science option was included due to the inherent differences inside DaVinci Resolve between ACEScc/ACEScct and YRGB Color Managed modes.
Continue reading “HLG Normalized Transform Update”Falsify – False Color transform for DaVinci Resolve
The Falsify – False Color transform has just been released for DaVinci Resolve Studio 16 and above. It’s an enhanced transform that provides False Color views for artists using DaVinci Resolve. It can be loaded directly as a DCTL in a Rec.709 (Scene) timeline or can be used in conjunction with the DCTL OpenFX plugin for numerous customization options, including additional false colors, precision and data level options, a true 18% Mid-Gray highlight and support for many Color Spaces and Timeline Gammas.
Continue reading “Falsify – False Color transform for DaVinci Resolve”HLG Normalized transform released
[Updated] The HLG Normalized transform has been released for DaVinci Resolve Studio 16 and above and can be purchased from the store. It can be used directly in ACES as an Input Transform (IDT) or used in conjunction with the DCTL OpenFX plugin with additional parameters. I have personally been using this to normalize HLG content for several months.
Continue reading “HLG Normalized transform released”Exposure Correction transform for DaVinci Resolve
[Updated] The Exposure Correction transform for DaVinci Resolve has been released. It allows adjustment of exposure in EV stops between -10 & +10 stops. This transform MUST be used with the DCTL OFX plugin within DaVinci Resolve Studio. The transform can be used across multiple timeline gamma options and as of version 2.0 now includes many more gamma settings!
Continue reading “Exposure Correction transform for DaVinci Resolve”Free DaVinci Resolve transforms
I have released a number of free DaVinci Resolve transforms as an Open Source project to GitHub. There are four transforms at first release and more will be released as time progresses. These are:
Continue reading “Free DaVinci Resolve transforms”Free XTS Fonts
I have published two FREE fonts from my personal Type Foundry collection. They were created in the early 2000’s as TrueType fonts. I’ve subsequently updated and released them as OpenType fonts. They are now available for free through the store.
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