Introducing the R-E Like Looks

The R-E Like Looks have just been released! These are specially curated Creative Looks that were developed to resemble the desirable Arri “Look”, with muted contrast and softer highlights. The beauty of these looks is in their simplicity and flexibility – they can be used with footage across multiple Cameras and Color Profiles, whether with S-Log2, V-Log, Cineon Log and other Log profiles or even Rec.709 and Rec.2020!

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Recording & Editing with Hybrid Log Gamma (HLG) – Part 1

Whilst Hybrid Log Gamma (HLG) is continuing to gain popularity for recordings and broadcast, there is often a lot of confusion and misinformation out there regarding HLG as an acquisition and grading format, so I thought to write up a few points that will hopefully provide some clarity for those looking to produce content using it.

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Falsify – False Color transform for DaVinci Resolve

The Falsify – False Color transform has just been released for DaVinci Resolve Studio 16 and above. It’s an enhanced transform that provides False Color views for artists using DaVinci Resolve. It can be loaded directly as a DCTL in a Rec.709 (Scene) timeline or can be used in conjunction with the DCTL OpenFX plugin for numerous customization options, including additional false colors, precision and data level options, a true 18% Mid-Gray highlight and support for many Color Spaces and Timeline Gammas.

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HLG Normalized transform for DaVinci Resolve

The HLG Normalized transform has been released for DaVinci Resolve Studio 16 and above and can be purchased from the store. It can be used directly in ACES as an Input Transform (IDT) or used in conjunction with the DCTL OpenFX plugin with additional parameters. I have personally been using this for several months in my works recorded using Hybrid Log Gamma.

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